Familiar Warmth in a Foreign Land

A close up photo of Staghorn Sumac leaves, with green foliage showing early patches of red as they begin to turn in autumn.
Staghorn Sumac tree turning color (2025, Wisconsin, US)

My interest in the Staghorn Sumac began as summer was slowly turning into autumn. Amid the green leaves, small touches of red began to appear, and in that quiet shift, I felt something distinctly Eastern.

Perhaps it was because it was the season of Chuseok (the Korean harvest festival). As the leaves changed color piece by piece, they reminded me of the traditional blue-red contrast often seen in Korean art and crafts.

Even though it was a tree I had never seen before, growing in a land far from home, the emotion it carried as autumn deepened felt strangely familiar and quietly warm.

Two traditional Korean silk pouches and a single embroidered women's floral shoe displayed on a dark platform. The pouches feature silk fabric with colorful embroidery and red decorative knots, while the shoe is adorned with bright red silk and detailed needlework.
Objects showing traditional Korean blue-red contrast (2024, Seoul Museum of Craft Art)
Between Summer and Autumn (2024) by Bohwa Kim is a serene acrylic painting featuring the layered leaves of a Staghorn Sumac tree seen in Madison Wisconsin. The leaves transition from deep green to vibrant red under a large and pale yellow moon that hangs in a warm golden sky creating a quiet Eastern sensibility within a Midwestern American landscape.
This painting connected to this story.

Early of December, 2025 —